The Conversations: Walter Murch and the Art of Editing Film. Michael Ondaatje

The Conversations: Walter Murch and the Art of Editing Film


The.Conversations.Walter.Murch.and.the.Art.of.Editing.Film.pdf
ISBN: 9780375709821 | 368 pages | 10 Mb


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The Conversations: Walter Murch and the Art of Editing Film Michael Ondaatje
Publisher: Knopf Doubleday Publishing Group



And being the girl who's never been taught to be where she is, I've already made a second list. The Conversations: Walter Murch and the Art of Editing Film is about how some of the most extraordinary films of the past 30 years were made and edited. I'm reading a great book at the moment called 'The Conversations, Walter Murch and the art of film editing'. The recording, processing, editing and mixing of sound effects, including “on screen”, Foley, and background sound effects, is often managed by a sound designer. According to Walter Murch — the first person to be credited the title in recognition of his contribution to the film Apocalypse Now (Coppola 1979) — the role of the sound designer is to take care of the overall treatment of sound in film (Thom 1998, 122). Judit, the book I would recommend is "The Conversations: Walter Murch and the Art of Editing Film" by Michael Ondaatje. The Conversations: Walter Murch and the Art of Editing Film – Michael Ondaatje. Author Michael Ondaatje watched Murch work on the film of his novel The English Patient, and concluded editing was “the stage of film closest to the art of writing”. The thing about this book is that it gives such insight I never want it to end. UPDATE: Just seen the first cut and really happy with it!! I'm really happy about The Conversations: Walter Murch and the Art of Editing Film. Mountain, and for his work on the posthumous “director's cut” of Orson Welles' Touch of Evil – many of which he discusses with Michael Ondaatje in the book The Conversations: Walter Murch and the Art of Editing Film.





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